Sarah Benson Thinks Audiences Want a Challenge
Did you leave because you wanted to spend more time on directing and less on paperwork?
That’s part of what has led to this moment. I’m ready to be able to say yes to more projects. It’s been an incredible gift to be working at that level of artistic risk and to be surrounded by other artists working at that level of risk. It’s been life-changing, truly. And it’s a lot [laughs].
Did you have any management experience before Soho Rep?
I had experience as an artist, that was it. But as a director, you are in a position of leading and figuring stuff out. I think that the skill sets of an artist are actually very well-suited to being in leadership.
Why choose “Blasted” for your first outing as director at Soho Rep?
Marin Ireland instigated that project. I’d always absolutely loved that play, but for me it was about the Northern Irish conflict. So I read it again, and I got this jolt, like, “Oh no, this is about civil war and what is happening right now.”
Do you need a jolt to decide to do a play?
Immediately I start imagining pictures and feelings. I’m always attentive to what feelings I get because that is the best information that’s going to take me to “What’s the real material? What can I bring to this material?” I’m always trying to seek out that charge.
You have directed very different plays, but the one through line is that your stagings, besides being surprisingly entertaining, avoid the naturalism common in American theater.
Source: The New York Times